sometimes rather small-minded, as for example in the final rondo, which has the character of a musical amusement. On the contrary it is much more touching and expressive, far more graceful than the original theme, which has rather the character of a bass line and serves this function very well. Beethoven may have written more striking works than this symphony, and several of his other compositions make a greater impact on the public. The melody is as it were derived from a different one, but its shape conceals this. To hear this is like witnessing the enchanted sport of Oberons graceful spirits.
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Thus from its first appearance, the famous allegretto in A minor of the seventh symphony, which had been inserted in the second to make the rest palatable, was judged at its true worth by the audience at the concerts spirituels. The finale is just love song analysis essay a continuation of the same poetical idea. From the very first bars one is gripped by emotion which by the end has reached an unbearable pitch of intensity. The freshness and elegance of Beethovens theme, very different from the chivalrous dash of that of Gluck, would make a greater impression if the chords played in the high register by the wind instruments did not cover so much the first violins playing in the. This persistent repetition of the identical phrase, constantly repeated with the same simple and deep sadness, gradually stirs in the mind of the listener an indescribable feeling, without doubt the most intense of its kind that we have experienced. The funeral march is a drama in its own right.